MoMA’s To Save and Project Film Restoration Fest Ranges from Classics to Avant-Garde
MoMA’s To Save and Project film restoration festival shows silents, exploitation films, avant-garde jokes, and the first Mexican film awarded at Cannes.
film restoration
MoMA’s Film Restoration Fest To Save and Project Eyes Bad Behavior
MoMA’s film restoration fest To Save and Project eyes bad behavior with a Casanova, Western gunmen, pre-Code showgirls and drug addiction.
International Film Buffs Should Pounce on MoMA’s To Save and Project Festival
From silent classics to Thai melodrama, home movies to Brazilian sambas, MoMA’s To Save and Project festival is catnip for international film buffs.
Animated Sci-Fi ‘The Time Masters’ Challenges Conformity
René Laloux’s conformity-challenging animated sci-fi The Time Masters resonates with Hayao Miyazaki films and Jack Vance novels.
Two Southern-Fried Slices of Sordid ’60s Hicksploitation Films
Angry old men, sexy strumpets, moonshiners, corrupt sheriffs, and dumb farmhands populate them thar hills in these two low-budget ’60s hicksploitation films.
‘Time of the Heathen’ Mixes Atomic Angst with Racial Woes
Time of the Heathen is a nightmarish, hyper-edited, avant-garde freak-out as atomic angst and racial woes wend their way toward Shakespearean tragedy.
1930s Cinema Gets Wild and Funny with ‘French Revelations’
1930s cinema gets wild and funny with French Revelations: Fanfare d’amour and Mauvaise Graine, talkies with impolite elements from Pottier, Wilder, and Esway.
The Troubled History of Silent Film ‘Pandora’s Box’
Its lesbian love interest was once modified and a saccharine ending tacked on, but a new controversy arises with G.W. Pabst’s silent film classic Pandora’s Box.
‘Laurel & Hardy: Year One’ Shows Why 1927 Was a Vintage Year for Comedy
Most of the comedies in Laurel & Hardy: Year One starred others, so this set shows the evolution of the dual film by film, getting better as they go along.
‘Chameleon Street’ Pushes the Limits of Independent Cinema
Chameleon Street has a finger on the throbbing pulse of shifting cultures that see youth through punk, new wave, and hip-hop.
‘Early Shorts of the French New Wave’ Breaks Through Stolid Filmmaking
These 18 short films in Early Shorts of the French New Wave showcase a consistency of personal expression, handheld style, and filming in the street.
The Returned Gaze of the Past: Patricio Guzmán’s ‘The First Year’
Films like The First Year play a crucial role in how nations negotiate and re-negotiate their self-image, and its reemergence is yet another step forward for post-Pinochet Chile.