The Syllabus of ‘Filibus’ the Gentlewoman Thief
WWI was underway when silent film Filibus hit theaters, so this elegant, war-free escapism of immorality among the ruling class may have provided mass therapy.
WWI was underway when silent film Filibus hit theaters, so this elegant, war-free escapism of immorality among the ruling class may have provided mass therapy.
In these three restored Gothic films from Kino Lorber, gender roles and their social undertones feed into the template of paranoid thrillers.
Restored noir ‘A Life at Stake’ sets viewers smack in the middle of the sleek, seamy, sweaty, paranoid underside of the American ’50s, and it’s a nice trip.
Julie Andrews’ 1960s musical Thoroughly Modern Millie does its anti-authoritarian, anarchic-chaotic thing in a different key.
An airborne virus infects the cogs in the capitalist machine in George Seaton’s What’s So Bad About Feeling Good? and makes people subversively happy.
Kwan’s art-house Center Stage and Cruze’s vulgar The Great Gabbo both touch on the tragic tropes of performers whose careers suck up their lives.
Paul Leni’s silent film Waxworks (1924) is a brilliantly acted, engaging, and exhilarating example of German Expressionism on film.
James Whale’s pre-Code The Kiss Before the Mirror subverts the assumption of women as deceitful property
Is there an artwork that better evokes the grim feeling of the current state of the world than Hungarian drama, Sátántangó?
Restored ‘Ingagi’ (1930) is an important influential film fit for neither man nor beast.
Beautifully restored Hungarian animation film, Son of the White Mare, is enchanting.
It's the privilege of satire to apply one's opponents' "logic" towards a reductio ad absurdum, as we see in The City without Jews.