Love Tragic and Stars’ Magic in Crime Drama ‘Martin Roumagnac’
Despite starring Marlene Dietrich and Jean Gabin, Georges Lacombe’s 1946 crime drama, Martin Roumagnac isn’t famous or appreciated as it should be.
Despite starring Marlene Dietrich and Jean Gabin, Georges Lacombe’s 1946 crime drama, Martin Roumagnac isn’t famous or appreciated as it should be.
Rio belongs to no single genre but exists in its own world of Hollywood tomfoolery while reflecting the unsettled zeitgeist of a non-American world that’s glamorous and treacherous.
The women in Marguerite Duras’ India Song and Baxter, Vera Baxter present images and rumors to the world but retain a core of adamantine mystery.
Lee Cronin’s take on the Evil Dead series, Evil Dead Rise, has become a mirror image of its own horror by refusing to take its final breath.
To some extent, György Fehér’s murder mystery, Twilight feels like a brooding film about Communist hangover, about an inability to breathe.
Drama Palm Trees and Power Lines is a disquieting, powerful, and mature feature debut that explores the formation of trauma and how vulnerability is exploited.
Descendant films the stories from the progeny of the slaves of the Clotilda. The result is a testament to the spirit of a community that refuses to disappear.
In Brainwashed, Nina Menkes intersperses film clips and candid interviews to open our eyes to the myopic viewpoint present in our most cherished Hollywood films.
Emergency is an unconventional love story about two friends with divergent views on what it means to be a young Black man in America.
Comedy Brian and Charles, a story about a seven-foot robot that loves cabbage, is a delightful celebration of inventiveness and ingenuity
Aaron Moorhead and Justin Benson’s sci-fi-horror Something in the Dirt exists at the intersection of mathematics, philosophy, mysticism, and nicotine.
Defiant, charming, and clearly deluded, Richard Davis of Ramin Bahrani’s documentary, 2nd Chance, never met an accusation he couldn’t dodge.