Eliese Colette Goldbach's memoir, Rust: A Memoir of Steel and Grit, is the story of one descending into the depths of The American Dream and emerging with flecks of graphite dust on her cheeks, a master's degree in her hands, and a few new friends.
Phuc Tran's smart, tough memoir, Sigh, Gone, might launch a broken down kid to read 150 great books—for free, at the local library.
Though the bluster has asserted the opposite, Jeanine Cummins' prose in American Dirt washes away the gore and grime to show the human faces that make up the migrant crisis of the Western Hemisphere.
Social historian Sam Wasson's The Big Goodbye: Chinatown and the Last Years of Hollywood, is a graceful and compelling elegy to both Roman Polanski's landmark film, and the end times of old Hollywood.
In the US in this year alone there have been new short story collections by at least five fine writers with origins in the Indian subcontinent: Vandana Singh; Akil Kumarasamy; Neel Patel; Chaya Bhuvaneswar; and Anita Felicelli.
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