With The Dead Don't Die, Jim Jarmusch deliberately deprives his latest film of the propulsive terrors innate to most zombie films, instead using the genre to matter-of-factly rhapsodize about consumer culture and the inevitability of the apocalypse.
Director Joel Edgerton's well-intentioned drama about gay conversion therapy fails to deliver any new insight or even a good cry.
The tragedy of conversion therapy is confronted in Boy Erased, a well-meaning but perfectly conventional message movie.
Neil Jordan's latest thriller, Greta, doesn't make sense -- but it's a wild ride.
The new Spike Lee Joint is irreverent and challenging, but it fails to rival contemporary social powerhouses like Sorry to Bother You and Blindspotting.
