Taylor Swift’s ‘1989’ Subverts Being Trapped in a Glass Castle
For her 1989 album, Taylor Swift wrote breakup songs that cleverly conveyed to fans she had personal freedom even from within her glass castle.
For her 1989 album, Taylor Swift wrote breakup songs that cleverly conveyed to fans she had personal freedom even from within her glass castle.
Kishi Bashi’s Kantos blends philosophy, identity, and the human condition with genre-defying music and introspective lyrics.
What if they had a folk festival and nobody protested? Evanston, Illinois hosted its first folk festival without politics from its stages.
Singer-songwriter Mark Ambor prefers the sunlight over the moon, literally and metaphorically. Living for today doesn’t have to mean forgetting the past.
On her third album, This Is How Tomorrow Moves, Beatrice Laus, also known as beabadoobee, blends folk and rock to create a timeless fantasy world.
Brimming with cosmic musings and darkened Americana, My Light, My Destroyer earns Cassandra Jenkins a place among the best contemporary singer-songwriters.
Gabriel Birnbaum takes many aspects of rock, folk, and indie music that everyone is familiar with and subtly rearranges them in ways we never thought possible.
Stranger Things‘ Maya Hawke admits on Chaos Angel she “was born with my foot in the door” and delivers one of the best LPs in the history of singing Hollywooders.
It’s not literary devices that make something poetry or the analysis we perform, but the emotion it elicits through them, which is why Taylor Swift is a poet.
On Here in the Pitch, indie folk’s Jessica Pratt offers an aural world where opposites are part of the whole. The best interpretation is to accept the mystery.
L’étrangleuse’s music draws from all sides of the Mediterranean and beyond, creating something new and categorically nebulous in a way that works well.
Thin Lear’s EP is a unique and instantly lovable combination of indie folk and chamber pop and a superb showcase for Matt Longo’s immense songwriting abilities.