Sue Clayton Is a Songwriter’s Songwriter (Quite Literally)
Morgan Kibby has written hits for Panic! at the Disco and Lady Gaga. Yet her true calling was found in a wild new songwriting persona: Sue Clayton.
Morgan Kibby has written hits for Panic! at the Disco and Lady Gaga. Yet her true calling was found in a wild new songwriting persona: Sue Clayton.
Recorded while pregnant with her only child, Laura Nyro’s Nested is an unabashedly feminist and feminine work of laid-back, springtime bliss.
Trapper Schoepp goes to Johnny Cash’s cabin and discovers the roots of his music lie in the continued tradition of making things new.
The sound of joy as resistance on Boygenius’ The Record is as radical a statement as London Calling or Nevermind. It’s one of the more significant statements of our time.
Democratically curated and enthusiastic, Boygenius’ The Record is a testimony to friendship, the power of aesthetic commonality, and the magic of teamwork.
Joan Kelsey’s Standing Out on the Grass is a minor miracle, with unforgettable melodies and unique arrangements colliding softly into a dreamlike gem.
In 1972, Joni Mitchell traded the hubbub of the big city for nature’s quiet solitude. There, she wrote an album of unparalleled earthy wonder, For the Roses.
Allison Leah shines on her new EP the weight of my heart. It’s a natural evolution from her folk origins into an indie pop sound.
Kottarashky and the Rain Dogs dig deep into the possibilities of contemporary Balkan folk-pop assemblages on Doghouse. There’s much here that’s truly exquisite.
Indigo Sparke’s Hysteria is an immersive, blurry mood piece of alternative songwriting that captures the confusing and fluctuating feelings inside of her.
Lissie’s country-inflected Carving Canyons considers who she is, looking back to childhood but also realizing that she can help shape a positive future.
Sparked by a three-man band and her riveting guitar riffs, power player Madison Cunningham turns on an infatuated crowd with new songs and a rock-hard attitude.