
Clara Mann’s Glorious ‘Rift’ Lets the Light In
With its homespun folk tunes, Clara Mann’s Rift is like a tête-à-tête between close friends under a crepuscular sky that leaves you listening to every word with the utmost attention.
With its homespun folk tunes, Clara Mann’s Rift is like a tête-à-tête between close friends under a crepuscular sky that leaves you listening to every word with the utmost attention.
The Devil Makes Three let listeners lose themselves in song, but not without missing sight of the deeper truths. It’s a compelling and cathartic musical experience.
Souled American’s Rise Above It offers slow guitar notes chiefly to hear them decay in the abundant silent space of time and distance.
Katy Pinke’s Strange Behavior continues to showcase thrilling, inventive songwriting but sees her working with a broader musical palette.
Kaito Winse takes seriously the responsibility of being a tradition bearer while still having fun. Reele Bumbou is a compelling sampler of his skills.
Sean McConnell poeticizes and philosophies from everyday personal experiences. What does it mean to be locked in our own skin?
Sunny War’s music and lyrics stand in resistance and vulnerability, evoking a reminder of music’s powerful ability to inspire change.
Twenty years later, the Expanded Edition of Vashti Bunyan’s Lookaftering sustains the quiet force of an artist entirely in command of her craft. Nothing else sounds quite like it.
Laura Nyro’s catalogue confirms an admirable range that extends far beyond her mythic status as New York’s earth mother diva with a ‘60s urchin soul.
Sunny War is a punk rocker who now lives in the country music capital and writes personal folk-based protest songs about our mutual situation.
End of the Middle is a more streamlined Richard Dawson album that’s no less engaging and perhaps more accessible than his previous work.
It’s always a good time to revisit music taking a stand against fascism, and Violeta Parra’s Las Últimas Composiciones has some of South America’s best.