Andrew Combs Paints ‘Dream Pictures’ in Blues and Gold
Andrew Combs’ new album serves as the robin in spring, a sign that seasons have changed. It’s not a chronicle of happiness as much as a statement of normalcy.
Andrew Combs’ new album serves as the robin in spring, a sign that seasons have changed. It’s not a chronicle of happiness as much as a statement of normalcy.
Ekuka Morris Sirikiti’s work reminds us that he and his traditions are very much still here, not artifacts of old media but flesh and blood, spirit and sound.
The esteemed Newport Folk Festival has consistently challenged the notion of folk music. The 2024 edition continued to defy traditions.
On their first official album as a trio, the Nathan Bowles Trio forsake egotism in favor of collective world-building with warm, inviting acoustic music.
Okaidja Afroso’s Àbòr Édín delivers a genuinely seamless blend of different styles and unplugged sounds, with each track dense with color and meaning.
AJ Lee & Blue Summit’s City of Glass consistently showcases the distinctive gifts of each performer and the magic that happens when they all play together.
Gabriel Birnbaum takes many aspects of rock, folk, and indie music that everyone is familiar with and subtly rearranges them in ways we never thought possible.
Rising Appalachia’s harmonies on “I Need a Forest Fire” are downright mesmerizing, as they deliver a zeitgeisty performance for one of 2024’s top tracks.
Folk singer-songwriter Laurie Lewis reminds us to be kind to each other and appreciate the good things in life, like trees and the natural world—and John Prine.
Now armed with a full band, Steve Dawson’s songs have more musical heft on Ghosts, resulting in one of his best and more streamlined solo works.
On Here in the Pitch, indie folk’s Jessica Pratt offers an aural world where opposites are part of the whole. The best interpretation is to accept the mystery.
Under the name the Bird Calls, Sam Sodomsky infuses his songs with warmth, gravitas, and the musical wisdom of a well-traveled music fan.