
Laura Marling Never Misses and Doesn’t on ‘Patterns in Repeat’
Laura Marling’s eighth record, Patterns in Repeat, is a full bingo card of simplicity and sophistication—a win-win for her, listeners, and critics all around.
Laura Marling’s eighth record, Patterns in Repeat, is a full bingo card of simplicity and sophistication—a win-win for her, listeners, and critics all around.
From the contributors of NPR’s Turning the Tables series, How Women Made Music paints a large, colorful canvas from years of research and dialogue.
Tish Hinojosa understands the importance of perspective. Her lyrics look at life from more than one side, knowing we are happier if we search for good.
Drawing on a range of influences while incorporating a variety of guest musicians, Yasmin Williams has created her most ambitious music yet on Acadia.
These songs will lift your spirit by sharing their sorrow with you. Misery loves company. Grayson Capps’ new album invites one to sing along.
With Lea Thomas and her gifted band at the helm, she has created nothing short of a widescreen, ethereal, sonic gem that one can easily get lost in.
This is what happened when college-age music enthusiasts raided empty FM radio studios and played whatever turned them on.
With 2017’s Aromanticism, Moses Sumney negotiates the self as body and spirit and attempts to reconcile his emotions and sexuality with his religion.
Adeline Hotel’s ever-prolific Dan Knishkowy turns inward on his new album, Whodunnit, divorced but devoid of bitterness or blame.
Throughout Woodland, Americana songwriters Gillian Welch and David Rawlings underscore the sinews of relationships that are stretched but never torn.
What if they had a folk festival and nobody protested? Evanston, Illinois hosted its first folk festival without politics from its stages.
The different lyrical, musical, and emotional avenues indie folk’s Sima Cunningham travels throughout High Roller shows an artist overflowing with ideas.