Ibelisse Guardia Ferragutti and Frank Rosaly’s ‘MESTIZX’ Is a Cosmic Collage
MESTIZX is unquestionably cosmic, but it’s also grounded in the real lives and spaces of artists who refuse to be broken into cultural shards.
MESTIZX is unquestionably cosmic, but it’s also grounded in the real lives and spaces of artists who refuse to be broken into cultural shards.
In Eternity Mongers, Michael Feuerstack proves his mettle as a fine, seasoned songwriter and captures soulful innocence and throws in killer hooks.
Six Organs of Admittance’s Time Is Glass is ultimately about estrangement in this world with songs that inhabit the space between immanence and transcendence.
Folkie Chris Smither always knew that nothing would last forever, but the passage of time showed him the importance of appreciating the good things in life.
Home records vocal expressions of pain, love, and life at Kutupalong, bringing Rohingya refugee experiences into its audiences’ aural consciousnesses.
Katy Pinke’s indie folk music on her debut album comes from deep inside. It’s warm and engaging and leaves the listener yearning for more.
In this most recent work, folk artist Leyla McCalla continues cultivating an expansive and complex sense of roots and relative self. It’s a joy to witness.
Singer-songwriter Dawn Landes performs classic folk songs of struggle. Women’s rights are the unalienable ones we all share. Anything else is inherently wrong.
Six Organs of Admittance’s Ben Chasny discusses late 1990s folk, music journalism, his independent publication, and new record Time Is Glass.
On Bright Future, Big Thief’s Adrianne Lenker proves how much you can do with so little that you don’t need a ton of flash to craft a stunning record.
Revelator captures Phosphorescent’s endeavor to encounter life as it is, practicing vulnerability, empathy, and a degree of self-effacement.
Bagus Shidqi’s Njondhil Njondhal is a work full of heart and belief in keeping gamelan vibrant and available to contemporary practitioners and audiences.