The Strange World of Devendra Banhart’s ‘Flying Wig’
Devendra Banhart’s Flying Wig was produced by experimental musician Cate LeBon, and she has made his spacey music more spacious by closing him in.
Devendra Banhart’s Flying Wig was produced by experimental musician Cate LeBon, and she has made his spacey music more spacious by closing him in.
Bonnie “Prince” Billy suggests the strangeness of life comes in how people silently consent to mainstream conformism like marriage without revision or reinvention.
Dave Scanlon’s Taste Like Labor straddles a line between dark folk and fractured indie pop on his first solo album in more than two years.
Folkie Richard Dawson talks about his new LP The Ruby Cord, first-ever US tour, and the evergreen pleasures of Bulbils, his project with Sally Pilkington.
Time Skiffs finds Animal Collective in a calm, contemplative state yet places them closer in style to most indie rock bands.
Indie folks’ Bowerbirds wonder what happens when young love disappears over time on the melancholy and reflective new album Becalmyounglovers.
Krautrock’s Detlef Weinrich and folk’s Emmanuelle Parrenin team up for Jours de Grave, and it’s damn near perfect. It feels too organic and alive to be called “avant-garde”, even though it is.
Dave Scanlon, the singer and guitarist of Brooklyn's JOBS, offers a stripped-down collection of songs that retains the unique intensity of his more complex work.
Six Organs of Admittance's Companion Rises begins and ends in a pre-dawn haze, shadowed by an inky sky that stretches out toward the cosmos before landing softly back on Earth.
Vetiver get intimate by addressing one person at a time on their new album, Up on High. This music is for dancing alone in one's mind.
Devendra Banhart's latest album, Ma, is a tender, beautiful meditation on the bonds that ties us together.
Underground experimental rock sonic adventurers Cerberus Shoal get a much needed re-release of their essential records through Temporary Residence.