The Black Keys Hit the Bowling Alley with ‘Ohio Players’
You can sum up the overall aesthetic concept of the Black Keys’ Ohio Players with two main points: It rocks and sounds great in a bowling alley.
You can sum up the overall aesthetic concept of the Black Keys’ Ohio Players with two main points: It rocks and sounds great in a bowling alley.
The Libertines’ All Quiet on the Eastern Esplanade is something of mixed bag, but it’s worth persisting with for its moments of beauty and always fun energy.
Sprints’ lyrics are sharp and direct and their musicianship provides tension and release across all 11 songs, which have a hooky rawness that is addictive.
If you like Ty Segall, you’ll get plenty more of what you like about him on Three Bells along with drums used as a compositional tool and a rhythmic one.
The always reliable Cherry Red Records delivers an unusual psychedelic garage-rock comp that feels made of lesser entries despite the label’s great research.
The world needs more bands who will tell their fans the truth and speak truth to power, like King Gizzard & the Lizard Wizard.
Alabama’s Model Citizen boast a pair of Drive-By Truckers and punk rock bonafides on the loud and proud new album, Live at Dial Back Sound.
Purling Hiss’ Drag on Girard carries on a long-standing tradition of revisiting and updating the garage rock canon to extend its legacies to the next level.
Unknown Mortal Orchestra return from a five-year hiatus to deliver a double album, V, containing both the best and blandest songs they’ve ever made.
Pearl Jam’s Yield is a rare album resonating as an instant classic from its first spin, with memorable and diverse songs demanding full listening.
The Bobby Lees have always rocked and rocked hard, and they continue to do so on Bellevue; that part of the formula (thankfully) remains unchanged.
At the end of the show, fans are left in a pleasant daze. King Gizzard & the Lizard Wizard have metaphysically destroyed Berkeley, California’s Greek Theater.