gears of war

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Best of the Moving Pixels Podcast: Storytelling in War Games

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 / 5 December 2016
Blood, Bugs and Gore: ‘Gears of War 2’, Postpartum Edition
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Blood, Bugs and Gore: ‘Gears of War 2’, Postpartum Edition

By
 / 24 February 2014
Gears of War is not about narrative. It's about gut instinct. Pure, primal, primitive emotion. It paints on a big canvas, and uses thick brushstrokes, but the result is an unfiltered, expressionistic roar. It's just like a newborn baby.
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The Secret to Sequels

By
 / 10 December 2013
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Where the Heart Is: The Use of Home in Video Games

By
 / 12 March 2013
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Searching for the Other Castle: Women As Objectives

By
 / 19 February 2013
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An Open Letter to Cliff Bleszinski Following the Release of ‘Gears of War 3’

By
 / 6 October 2011
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‘Gears of War 3’: A Triumphant Past, a Familiar Present, and an Uncertain Future

By
 / 6 October 2011
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No Glory for Gears

By
 / 29 September 2011
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Scary Transmedia Synergy Within the ‘Gears of War’ Universe

By
 / 23 September 2011
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For the Horde: Marxism in ‘Gears of War’

By
 / 19 September 2011
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What Do ‘Gears of War’ and ‘L.A. Noire’ Have in Common?

By
 / 16 September 2011