The Latest Anthology on RuPaul’s Drag Race Is Gag-Worthy
The Cultural Impact of RuPaul’s Drag Race turns a fierce lewk without overriding any of the iconic moments served by its predecessors.
The Cultural Impact of RuPaul’s Drag Race turns a fierce lewk without overriding any of the iconic moments served by its predecessors.
Media critic Elana Levine's Her Stories explores television history and the conflicts of generation, gender, and race in the heyday of "women's" soap operas.
Matthew Gutmann's Are Men Animals is and interesting but flawed, rushed look at masculinity that suffers from digressions and an unwillingness to be as political as it could have been.
Conveyed with urgency and mindfulness, Johnson's Black. Queer. Southern. Women. creates a space for revisioning critical race and sexual ideologies while affirming the voices of queer black women.
Kathy Iandoli's personable history, God Save the Queens, shows how women in rap face up to the battles.
You’ll want to share Sady Doyle’s Dead Blondes and Bad Mothers with the rest of your coven and all the little girls in your orbit.
Kathryn Bond Stockton's Making Out will linger.
Paul Lopes's Art Rebels is a study that tries (and only partly succeeds) to fit two great artists -- Miles Davis and Martin Scorsese -- into clearly defined categories.
Jack Halberstam provides a deep examination into how and why we name who and what we are.
The rich portraits Skidmore creates of these trans men can help illuminate not only their lives but also the lives of many other trans people who remain undiscovered and anonymous.