Orwellian Times: On Manic Street Preachers’ ‘The Ultra Vivid Lament’
Manic Street Preachers’ The Ultra Vivid Lament is driven by George Orwell’s aim to make political writing into art.
Manic Street Preachers’ The Ultra Vivid Lament is driven by George Orwell’s aim to make political writing into art.
With over 100 classical musicians and choristers, MIKA has ventured to the Royal Opera of Versailles to re-record orchestral versions of his biggest hits.
Fifty years ago, T. Rex released their most successful album, Electric Warrior, helping kick off the glam rock movement. Marc Bolan leaped from playing rock to being a rock star.
Royston Langdon possesses the rare gift of applying a glam varnish to small, personable songs while somehow not drowning them in theatrics.
Thank whatever deity you may believe in for the return of both androgyny and people of color to rock music. Or just listen to Tony & the Kiki.
Billy Idol’s string of pop-punk hits and unmistakable sneer propelled him to 1980s stardom. Idol sounds more mature than ever on the new EP The Roadside.
Everybody loves an excellent live album, don’t they? And Be Bop Deluxe’s Live! In the Air Age is one of the best.
Manic Street Preachers’ The Ultra Vivid Lament is as rich, melancholic, and intelligent as ever, but also riddled with doubts and anxieties.
A KISS Army stalwart muses on the band’s legacy and a lifetime of super-fandom as KISS nears the “End of the Road”.
A new two-CD set collects radio sessions and other material from the months before David Bowie recorded The Man Who Sold the World.
Manic Street Preachers’ Everything Must Go is a haunted album, yet its greatest accomplishment is that it never feels oppressive or weighty.
Join us as we celebrate the 10 best Suede songs and their mastery of one of Britain’s great modern artistic traditions: the pop single.