Director Rebecca Zlotowski talks with PopMatters about her most autobiographical film to date, Other People’s Children, which has a “whiff” of Claude Sautet about it.
French-American composer, painter, and film director Pierre Földes talks about his unbridled animated adaptation of Haruki Murakami’s stories, Blind Willow, Sleeping Woman.
Filmmaker Mark Cousins’ My Name Is Alfred Hitchcock uses provoking ideas to encourage expanding our understanding of the works of this 20th-century giant of cinema.
Like pride before a fall, the psychological drama God’s Creatures critiques the sentimentality of blood and the tribal mindset of loyalty above conscience.
French true crime adaptation The Night of the 12th (La nuit du 12) is a response to the fraught relationship between men and women, and the detective as metaphor.
