Dogo du Togo Thrills with the Alagaa Beats of ‘Avoudé’
Dogo du Togo’s music bursts with brilliant shades of funk, rock, and older West African traditions, familiar elements that come together in fresh sounds.
Dogo du Togo’s music bursts with brilliant shades of funk, rock, and older West African traditions, familiar elements that come together in fresh sounds.
With OVA, Afro Celt Sound System’s eighth LP, the long-running story comes to what seems to be its coda with the death of Simon Emmerson last year from cancer.
São Paulo band Nomade Orquestra’s ‘Terceiro Mundo’ is a shining example of a group capable of being original, inventive, and nonetheless broadly appealing.
Malian blues duo Amadou & Mariam just dropped a greatest hits album while noting how they’re intrigued by the sounds of Billie Eilish.
As a kid in landlocked Texas, Frank LoCrastro has wanted to make Exotica music. With Kolumbo’s sophomore LP, his dream of touring tiki bars is within reach.
Kit Sebastian’s New Internationale is a robust pop masterpiece, a boldly artful work that is refined but not restrained, tasteful but never bland.
Latin alternative artist Manu Chao sings for a better future on his first album in 17 years, Viva Tu. This music is meant to be lived with.
Ayom’s Sa.Li.Va. is meant to be heard and felt to move a listener literally and figuratively. Complex in its makings, its joy is straightforward.
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.
El Khat’s music is unlike anyone else’s. It is a sparkling array of DIY tools that work toward vital social messages and spreading Yemeni Jewish tradition.
From the first notes of her sophomore album La Mer, it’s clear that singer-songwriter Claude Fontaine is a chanteuse, and it’s not a role she takes lightly.
Bamako is the truest kind of jazz, all about movement and communication, and Nicole Mitchell and Ballaké Sissoko make for an expert team at the helm.