Godzilla the Union Buster
There’s a bitter irony in how Oscar-winning Godzilla Minus One, produced by a notorious union-busting production company, is celebrated for its message of collective strength.
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Exploring the Sci-fi Worlds of Ishirō Honda in Three Films
The devastating power of the atomic bomb casts a long shadow over Ishiro Honda’s The H-Man, Battle in Outer Space, and Mothra.
‘Godzilla: King of the Monsters’ Is More Whimper Than Roar
Calling the plot of Godzilla: King of the Monsters stale would be an insult to the fossilized potato chips hiding between your sofa cushions.
Populism as High Art: Getting to the Heart of Ishiro Honda
A new biography of the groundbreaking -- yet unassuming -- film director explores his multifaceted life and work.
In Defense of the Godzilla Game
While Godzilla is not a good game, it does highlight the central concern in making a good Godzilla game, jazzing up Godzilla's fighting style.
‘Godzilla’ Is Paint-By-Numbers Monster Movie Making
This reboot is a pretty pedestrian affair, managing to pull out all the tropes you've come to expect from monster movies without offering anything new.
Cinematic Kaiju: A Worm’s Eye look at Filmdom’s Biggest Monsters
In the sagas of film's biggest monsters, what qualifies as a Kaiju? And does the giant monster have to be a Japanese creation to be considered Kaiju?