The Living Dead’s Problems in Spanish Horror Movies
These Spanish horror movies tapped into the anxieties of the final years of General Franco’s dictatorship while pretending to be merely tales set in foreign countries.
These Spanish horror movies tapped into the anxieties of the final years of General Franco’s dictatorship while pretending to be merely tales set in foreign countries.
Andy Davidson’s The Hollow Kind blends southern gothic, folk, and Lovecraftian horror to create a multi-generational tale about greed, grief, and familial love.
Julia Armfield’s Our Wives Under the Sea seamlessly blends mystery, gothic horror, dual narratives, looping time, and multiple genres into an enchanting whole.
Marx’s death pact is made literal in Sarah Gailey’s Eat the Rich, a remarkably fun comics series given its subject is the horror of capitalism.
1930s-era horror films Murders in the Rue Morgue, The Black Cat. and The Raven see Edgar Allan Poe’s dark heart driving the menacing Bela Lugosi mad.