40 Years of the Cure’s First True Surrealist Pop Album
Forty-year-old The Head on the Door propelled the Cure toward arena stature with its musical cohesion and a collection of hallucinatory yet accessible songs.
Forty-year-old The Head on the Door propelled the Cure toward arena stature with its musical cohesion and a collection of hallucinatory yet accessible songs.
Sharon Van Etten & The Attachment Theory incorporate synths and darker sonic textures that suit the singer’s cerebral thoughts and powerhouse vocals.
AFI’s resilience and innovation take center stage in Andi Coulter’s new biography, which is every bit as deserving of praise as more heralded peers.
The experience of Ethel Cain’s Perverts is gloomy, powerful, and extremely terrifying. It’s practically a masterclass on how to score for a horror film.
The Cure’s Songs of a Lost World is a cohesive collection that skews dark, cinematic, meditative exploration of loss in all its forms.
The start of Nick Cave and the Bad Seeds’ world tour brings transcendence to the German capital and shows there is no taming the Great Bard.
“Alone” is one of the most devastating songs in the Cure’s entire catalogue, evoking an agonizing sense of loss that can deeply resonate with many listeners.
John Robb’s The Art of Darkness unburies an estimable wealth of knowledge of goth music and can sit comfortably beside the works of Greil Marcus and Jon Savage.
Chelsea Wolfe is as uncompromising a poet as she has ever been on She Reaches Out to She Reaches Out to She. The purpose is not to be more of the same.
The Cure’s ebulliently eclectic masterpiece ‘Wild Mood Swings’ is misguidedly maligned. What is more tantalizing than music that exalts eclecticism to such stupefying heights?
Blood in the Disco isn’t just CORLYX’s best album yet, it’s one of the best goth rock albums to emerge yet this decade.
Thus Love began as a fuzzy, overly goth-influenced band, but they have since polished their messy sound to a confident post-punk sheen on Memorial.