The Cure Lament Aging and Death, Yet Find New Vitality
The Cure’s Songs of a Lost World is a cohesive collection that skews dark, cinematic, meditative exploration of loss in all its forms.
The Cure’s Songs of a Lost World is a cohesive collection that skews dark, cinematic, meditative exploration of loss in all its forms.
The start of Nick Cave and the Bad Seeds’ world tour brings transcendence to the German capital and shows there is no taming the Great Bard.
“Alone” is one of the most devastating songs in the Cure’s entire catalogue, evoking an agonizing sense of loss that can deeply resonate with many listeners.
John Robb’s The Art of Darkness unburies an estimable wealth of knowledge of goth music and can sit comfortably beside the works of Greil Marcus and Jon Savage.
Chelsea Wolfe is as uncompromising a poet as she has ever been on She Reaches Out to She Reaches Out to She. The purpose is not to be more of the same.
The Cure’s ebulliently eclectic masterpiece ‘Wild Mood Swings’ is misguidedly maligned. What is more tantalizing than music that exalts eclecticism to such stupefying heights?
Blood in the Disco isn’t just CORLYX’s best album yet, it’s one of the best goth rock albums to emerge yet this decade.
Thus Love began as a fuzzy, overly goth-influenced band, but they have since polished their messy sound to a confident post-punk sheen on Memorial.
Melodic carnage, transcendental lyrics, cathartic delivery, and divine communion between Him and his flock are expected and delivered from Nick Cave and the Bad Seeds performing live in Berlin.
Metalcore pioneers Converge unite with Chelsea Wolfe and Cave In’s Stephen Brodsky to craft a brooding work of goth-inflected metal with Bloodmoon: I.
The Cure’s Faith–released 40 years ago this April–comes from a haunted, solipsistic place and it seduces you into its tormented world.
From mournful laments to giddy, knees-up swoons and everything in between, these are the 10 best love songs from post-punk’s most capable romantics, The Cure.