While Manuele Fior's Red Ultramarine is far from abstract expressionism, it is a pleasure to find an artist-writer who regards the art of his images to be equal to the narrative they convey.
Existential loneliness and small comforts are perfectly conveyed in three simple colors in Michael Cho's graphic novel, Shoplifter.
Bill Morrison's The Beatles Yellow Submarine mixes its psychedelia to fully represent the strange combinations found in George Dunning's 1968 film.
Mickey Zacchilli's scribbled artistic and literary style undermines expectations.
The struggle for recognition and rights assumes heroic proportions in Duncan Tonatiuh's innovative graphic novel, Undocumented: A Workers Fight.
In the graphic novel ‘Sabrina’, Nick Drnaso explores how psychic and social isolation fuels tragedy’s evolution into social paranoia.
Tyler's excitement and seemingly never-ending thrill from the point of view of her younger self as a Beatles fan nearly leaps from the page.
Swedish graphic novelist Anneli Furmar paints a bright window into a gray corner of political history.
Adam Rapp's characters have to kill and bag children to earn their keep. How does one depict that on stage and on page?
If Winter's Cosmos is Comeau's Alpha Centauri, I look forward to what fruits his new planets will bear next.
While migraines are known for their staggering (if temporary) disabling of the sufferer, some artists, like French, fearlessly explore the fantastical element of the migraine experience.
