Iron Maiden’s World Tour Explores Their Past, Present, and Future
Contemplating the future of Iron Maiden by celebrating the present and looking back at an album that was all about looking ahead. That’s a good hook.
Contemplating the future of Iron Maiden by celebrating the present and looking back at an album that was all about looking ahead. That’s a good hook.
On Absolute Elsewhere, Blood Incantation annihilate the death metal rulebook to spread an esoteric message of cosmic proportions.
In October’s best metal, Blood Incantation explore the cosmos, the Bug disfigures the techno sound, and Oranssi Pazuzu contine to transform.
Chat Pile’s new album does not offer catharsis; it is just an unflinching account of the violence we inflict on each other on an individual and global scale.
In September’s best metal, Pyrrhon reinvent themselves again, Ripped to Shreds accelerate their death/grind, and Spite return with blackened malice and ambition.
Mastodon’s Leviathan is a concept LP inspired by American novelist Herman Melville’s Moby Dick. Think of it as sludge metal’s answer to Dark Side of the Moon.
In August’s best metal, Mamaleek defy categorization, Teeth evolve their dissonant death metal, and Vomitrot bounce between death/doom and black metal.
Canonical DC hardcore act Bad Brains remain as vital as ever. Almost 40 years after I Against I’s initial release, it’s remarkable how timeless it sounds.
Yes, Metallica were singing about death—the cartoon skulls and swords I doodled in my notebooks rendered sonically. But they were also singing about life.
In July’s best metal, Wormed’s futuristic brutal tech-death is sovereign, Void Witch offer death-doom wickedness, and Malconfort’s off-kilter black metal shines.
In June’s best metal, Crypt Sermon offer hooks in doom form, Insect Ark stay on the experimental path, and Ulcerate offer despair with technical death metal.
Experimental metal trio SUMAC return with four tracks, a gargantuan runtime, and an experience that feels both frightening and healing on The Healer.