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MoMA’s Film Restoration Fest To Save and Project Eyes Bad Behavior

MoMA’s Film Restoration Fest To Save and Project Eyes Bad Behavior

MoMA’s film restoration fest To Save and Project eyes bad behavior with a Casanova, Western gunmen, pre-Code showgirls and drug addiction.

The Best Film of 2024

The Best Film of 2024

Our Best Film of 2024 commemorates intriguing films, emerging voices and celebrated doyens searching for stranger narratives and new angles on existing legends.

London Film Festival 2024 Brings Mindfulness Amidst a Bustling Metropolis

London Film Festival 2024 Brings Mindfulness Amidst a Bustling Metropolis

Mindfulness is integral to cinema; thus, it’s fitting to emphasize time in 2024’s London Film Festival Festival, because every story is running out of it.

Venice Film Festival in Focus: ‘Queer’, ‘Joker: Folie a Deux’, ‘2073’

Venice Film Festival in Focus: ‘Queer’, ‘Joker: Folie a Deux’, ‘2073’

In the vein of socially relevant topics at Venice Film Festival 2024, Queer, Joker: Folie a Deux, and 2073 got the island of Lido talking for different reasons.

Walter Salles’ I’m Still Here Is an Homage to Fearless Women

Walter Salles’ I’m Still Here Is an Homage to Fearless Women

Masterfully layered and confidently executed, Walter Salles’ I’m Still Here swivels between intimate family drama and sweeping political thriller in an homage to fearless women.

Deadwood’s Moral Optimism

Deadwood’s Moral Optimism

Individualism was not the dominant force on the American frontier, as most Westerns would have you believe. Deadwood explores the era’s cooperation and moral optimism.

‘Mettlework’ Excavates Myths of American Motherhood

‘Mettlework’ Excavates Myths of American Motherhood

Poet and author Jessica E. Johnson’s memoir Mettlework excavates myths of motherhood and girlhood in mining towns across America.

‘The Underground Railroad’ and Cinema’s Origins in White Supremacy

‘The Underground Railroad’ and Cinema’s Origins in White Supremacy

In adapting the alternative history The Underground Railroad, Barry Jenkins and his crew made cinema – a medium with origins in white supremacy – work for them.

Crime Sells in TV: ‘The Responder’, ‘Shardlake’, and ‘Eric’

Crime Sells in TV: ‘The Responder’, ‘Shardlake’, and ‘Eric’

For compelling and worrisome reasons, crime sells in our TV entertainment. The Responder, Shardlake, and Eric feed our brutal compulsion in varying ways.

Zionism, Belonging, and George Eliot’s ‘Daniel Deronda’

Zionism, Belonging, and George Eliot’s ‘Daniel Deronda’

George Eliot was not Jewish, but her 1876 novel Daniel Deronda took on the “Jewish question” and brought forth the concept of Zionism with knowledge and grace.

‘The Sympathizer’ Fractures Identity into a Knockout Kaleidoscopic Tale

‘The Sympathizer’ Fractures Identity into a Knockout Kaleidoscopic Tale

The mini-series adaptation of Viet Thanh Nguyen’s kaleidoscopic tale The Sympathizer is a knockout account of colonialism, war, and (the loss of) identity.

Love in a Caste-less World in Romance Films ‘Origin’ and ‘Sairat’

Love in a Caste-less World in Romance Films ‘Origin’ and ‘Sairat’

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