Venice Film Festival in Focus: ‘Queer’, ‘Joker: Folie a Deux’, ‘2073’
In the vein of socially relevant topics at Venice Film Festival 2024, Queer, Joker: Folie a Deux, and 2073 got the island of Lido talking for different reasons.
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Walter Salles’ I’m Still Here Is an Homage to Fearless Women
Masterfully layered and confidently executed, I’m Still Here swivels between intimate family drama and sweeping political thriller in an homage to fearless women.
Deadwood’s Moral Optimism
Individualism was not the dominant force on the American frontier, as most Westerns would have you believe. Deadwood explores the era’s cooperation and moral optimism.
‘Mettlework’ Excavates Myths of American Motherhood
Poet and author Jessica E. Johnson’s memoir Mettlework excavates myths of motherhood and girlhood in mining towns across America.
‘The Underground Railroad’ and Cinema’s Origins in White Supremacy
In adapting the alternative history The Underground Railroad, Barry Jenkins and his crew made cinema – a medium with origins in white supremacy – work for them.
Crime Sells in TV: ‘The Responder’, ‘Shardlake’, and ‘Eric’
For compelling and worrisome reasons, crime sells in our TV entertainment. The Responder, Shardlake, and Eric feed our brutal compulsion in varying ways.
Zionism, Belonging, and George Eliot’s ‘Daniel Deronda’
George Eliot was not Jewish, but her 1876 novel Daniel Deronda took on the “Jewish question” and brought forth the concept of Zionism with knowledge and grace.
‘The Sympathizer’ Fractures Identity into a Knockout Kaleidoscopic Tale
The mini-series adaptation of Viet Thanh Nguyen’s kaleidoscopic tale The Sympathizer is a knockout account of colonialism, war, and (the loss of) identity.
Three TV Shows That Promise an Intriguing Viewing Experience
These three TV shows of early spring 2024 are the most compelling, mind-boggling, and expensive-looking ones to watch before you go back out in the sun.
‘Small Things Like These’ Is a Haunting Meditation on Collective Sin
Which is the greater horror, Small Things Like These asks; the women who suffered under Ireland’s abusive Magdalene Laundries or the citizens’ complicity?
Film Producer David Puttnam on the Making of ‘The Killing Fields’
The Killing Fields, the harrowing film set in Cambodia during the Pol Pot regime, could not be made until after Chariots of Fire, Producer David Puttnam recalls.