New Bio Explores What Fueled Joan Crawford’s ‘Ferocious Ambition’
Was Joan Crawford self-made or industry-made? Biographer Robert Dance explores what fueled the Hollywood star in Ferocious Ambition.
Was Joan Crawford self-made or industry-made? Biographer Robert Dance explores what fueled the Hollywood star in Ferocious Ambition.
Corporate villainy! Creative tyranny! Dangerous foes and tough allies! MCU: The Reign of Marvel Studios blasts the superhero movie universe with the studio’s massive, messy history.
When Hollywood franchises need East Asian male characters for diversity purposes, their roles are limited to sidekicks or unlikeable men.
You’ve heard about them, seen snippets from them, and wondered about them: The Top 10 Forgotten TV Sitcoms You Wish You Had Seen.
What is this growing trend of Hollywood movies being made about Hollywood movies? Is it narcissism? Lack of imagination?
The 95th Academy Awards laid bare a political contradiction, and an attempt to fix a lack of previous recognition for Jamie Lee Curtis was controversial. But is Hollywood still just flirting with the change it needs to make?
Katt Shea’s subversive 1992 erotic thriller Poison Ivy, like its teenage villainess, is misunderstood, and American media remains obsessed with devious girls.
In Brainwashed, Nina Menkes intersperses film clips and candid interviews to open our eyes to the myopic viewpoint present in our most cherished Hollywood films.
Flicker Alley’s set of Hollywood B-films from 1934 provide sociological snapshots of the limits of respectable cinema.
As a critic of both films and literature, Matthew Specktor has a balanced touch that keeps the scales even in his memoir, Always Crashing in the Same Car.
A lyrical ode to Hollywood beauties Montgomery Clift and Elizabeth Taylor, the An American Tragedy-inspired A Place in the Sun casts a long noirish shadow.
Ronald Brownstein’s ode to ’70s Los Angeles is, like so many California stories, less about a sustained moment than a bright and briefly thrilling mirage.