Ronald Brownstein Celebrates and Elegizes LA’s ’70s-Era Cultural Dominance
Ronald Brownstein’s ode to ’70s Los Angeles is, like so many California stories, less about a sustained moment than a bright and briefly thrilling mirage.
Ronald Brownstein’s ode to ’70s Los Angeles is, like so many California stories, less about a sustained moment than a bright and briefly thrilling mirage.
Andrew Gelwicks interviews celebrities and other “beautiful people” who have come out of the closet and benefited from it.
We can never have too many Jewish Atheists from Brooklyn publishing essays about life as they see it. Actress Melanie Chartoff's 'Odd Woman Out' has me wanting more.
William Wyler's Roman Holiday crosses the postcard genre with a hardy trope: Old World royalty seeks escape from stuffy, ritual-bound, lives for a fling with the modern world, especially with Americans.
Junior Burke knocks James Dean's bad-boy-gone-too-soon off the iconic pedestal in his latest book, The Cold Last Swim.
Money isn't everything, although in filmmaking it counts for a lot. These eight films defied their minuscule budgets.
Social historian Sam Wasson's The Big Goodbye: Chinatown and the Last Years of Hollywood, is a graceful and compelling elegy to both Roman Polanski's landmark film, and the end times of old Hollywood.
The reissue of autobiography Elsa Lanchester, Herself, brings forth an engaging woman who helped to queer Hollywood well beyond her role in The Bride of Frankenstein.
We've always been aware that films are not immaculately created. Smyth's work is a meticulously researched history of how women entered, developed, sustained, and grew within the Hollywood dream factory.
Isenberg doesn’t reveal much about the lives or careers of Humphrey Bogart and Ingrid Bergman, but he provides some interesting and less well-known information.