
Matthew Ryals’ Modular Synthesizer Exploration Is Brilliant
New York experimentalist Matthew Ryals teams up with violist effe effe on the wildly engaging Exalge, highlighting experimentation and improvisation.

New York experimentalist Matthew Ryals teams up with violist effe effe on the wildly engaging Exalge, highlighting experimentation and improvisation.

Chicago’s Chad Kouri is a curious, mesmerizing explorer of genres and identities. Mixed is a unique and hypnotic take on jazz improvisation.

Electronic music’s Holden & Zimpel give us hope that perhaps science and technology might just liberate us from some of life’s unnecessary struggles and strife, after all.

As much as jazz saxophonist Alabaster Deplume’s record documents his journey towards relief, it encourages others to seek their own. A Blade is also a salve.

Experimentalist Tashi Dorji sometimes sounds like a kid discovering their first couple of chords on a guitar and ultimately heading for the fire pit.

Tenor saxophonist Ivo Perelman and trumpeter Nate Wooley explore the limits of free jazz on this welcome sequel with its power of boundless musical interplay.

Anthony Coleman and Brian Chase’s Arcades is a celebration of sound, sound reacting to sound, and the effect of two musicians constantly upping the ante.

Woodwind specialist Matt Darriau joins Cinema Cinema for CCXMDII, an album blending improvisational free jazz, chilled-out ambience, and experimental urges.

Celebrated jazz trio Typical Sisters move into refreshingly unexplored territory on their third LP, Love Beam.

TALsounds' Acquiesce reminds us that it's important to notice how brief moments of confidence or peace can unfurl in real-time, forming solid ground for us to walk forward.

Avant-garde drummer Jim White and folk guitarist Marisa Anderson get together without rehearsing to see what happens on The Quickening.

Little Common Twist, the latest improvisatory album from Ryley Walker and jazz drummer Charles Rumback, sounds like listening. The two musicians are locked in intuitive communion that confines neither guitar nor drums to their pigeonholes. We ask them how they do it and why.