Filmmaker and Critic Virginie Despentes Is Still, Unfortunately, Quite Necessary
Virginie Despentes’ feminist arguments in her recently rebooted collection of essays, King Kong Theory, remain fresh and frustratingly relevant.
independent film
‘The Man Who Killed Hitler and Then The Bigfoot’ Will, Like ‘Donnie Darko’, Surprise
The title suggests that this would be a schlocky B movie with a '70s-style grindhouse aesthetic, but The Man Who Killed Hitler and Then The Bigfoot is, in fact, a finely crafted and emotionally charged drama about ageing, loneliness, and lost love.
Was ’60s Sexploitation Cinema More Than Just Pornography?
Film history work Lewd Looks argues that sexploitation films provided an underground and important bridge between the end of old Hollywood and the start of something else.