Chewing the Scenery and Chewing on Actors in ‘Man-Eater of Kumaon’
Sabu and a tiger foreshadow Byron Haskin’s special effects and science fiction adventures of humans vs. the elements in Man-Eater of Kumaon.
Sabu and a tiger foreshadow Byron Haskin’s special effects and science fiction adventures of humans vs. the elements in Man-Eater of Kumaon.
Sublime Frequencies correct a grave injustice with this stunning new two-LP from Madhuvanti Pal, the first-ever vinyl record of a woman playing the rudra veena.
Netflix represents an opportunity to internationalize and escape the pressures of a volatile domestic market in Turkish television. It has forced Turkish producers to tell Turkish stories in a globally compelling way.
Ravi Shankar was bemused by the Beatles, Rolling Stones, the Yardbirds and other bands using the sitar in rock music. Enjoy this excerpt from biography Indian Sun, by Oliver Craske (who worked with Shankar on his 1997 autobiography), courtesy of Hachette Books.
Brooklyn bhangra heavyweight Sunny Jain draws on jazz, rock, and folk in a new, anti-xenophobia album Wild Wild East.
The well-timed choreography of Vikram Paralkar's Night Theater leads us to interrogate the unfamiliar notes of our personal harmonies.
The male writers in the anthology, Preeto & Other Stories, have been selected because each wrote extensively, if sometimes idealistically and sentimentally, about women.
Versatile percussionist Subhasis Bhattacharya steps into the spotlight with masterful Tablananda.
Shoba Narayan's memoir of creating a new life in Bangalore after two decades in the US centers on an unlikely friendship with her milk lady and their quest to buy a cow.
Sujatha Gidla's memoir is an example of history as told from down below, by the people who were involved in the labour and caste protests and the women who did the reproductive labour for the revolutionaries.