With ‘The Fatalist’, Buffalo Nichols Returns Like a Vengeful Ghost
Building on his 2021 debut, with newly released The Fatalist, Buffalo Nichols looks to be a 21st century Delta king cut from the tattered soul-cloth of Robert Johnson.
Building on his 2021 debut, with newly released The Fatalist, Buffalo Nichols looks to be a 21st century Delta king cut from the tattered soul-cloth of Robert Johnson.
Ben Golomb of shoegaze band Modern Time Machines sees whole worlds in old things. Beachtime gazes dreamily into the Beach Boys.
While previously released demos from the 20-year special edition, "Nobody's Girl" and "Throwin' Myself Away" would have fit perfectly on Gomez's Liquid Skin, given a little spit and polish, "Someday" is something else entirely.
Jazz trio Twin Talk's third album, Weaver, is inventive and exhilarating, combining unique arrangements and arresting melodies.
Jonah Hill's directorial debut is a deceptively rich examination of the male psyche.
In the latest comedic oddity from director Jim Hosking, a tiny ray of hope slithers out of the otherwise impenetrable slime -- if you can hang on long enough for it.