Indietronic Antiheroes +/- Still Attract Over Two Decades In
A pandemic-era plan to soft-drop a series of EPs proved difficult, so New York’s digi-pop alternates +/- pivoted to a new LP that stands amongst their best.
A pandemic-era plan to soft-drop a series of EPs proved difficult, so New York’s digi-pop alternates +/- pivoted to a new LP that stands amongst their best.
On his second full-length album, bb u ok?, Dutch producer San Holo finds the natural affinity between emo and EDM.
Stats' Powys 1999 features songs that feel like they're gliding on a dance-rock groove, even when they actually aren't. The music is catchy and clever and always glossy.
Hot Chip's contribution to the perennial compilation project Late Night Tales is a mixed bag, but its high points are consistent with the band's excellence.
On Beacon's Gravity Pairs, every gentle breath of synth, gliding piano note, and softly tapped pad is expertly cultivated to enrich the song with Thomas Mullarney's voice drawing out the humanity, compassion and empathy.
Matthew Dear has written an album in Bunny that wholly reflects the person he is now, and it's the best record of his career.
REDUXER is alt-J's fourth full-length release, a collection of reinterpretations of the songs from their successful third album RELAXER.
On Young Romance, Roosevelt's '80s-indebted yet EDM-inflected confections aren't as anthemic as he wants them to be, but they're almost uniformly infectious.
We have to get to the point where we see each other as human again. On Hyperion, St. Lucia is trying to show us the way. We need to start listening.
If All Gates Open isn't the full picture of Irmin Schmidt and Can, then the real McCoy must give one a hernia.