Flora Hibberd’s ‘Swirl’ Is a Stunning Debut
Flora Hibberd displays grace, timelessness, an accurate ear for classic songcraft, and production touches that wrap Swirl in a glorious bow.
Flora Hibberd displays grace, timelessness, an accurate ear for classic songcraft, and production touches that wrap Swirl in a glorious bow.
Orchestre Tout Puissant Marcel Duchamp are a cohesive collective in which each participant is passionate about the music they make.
The 30 best pop albums of 2024 radiate with unstoppable playlist power, much-needed sweet escapism, self-reflection, self-criticism, and killer melodies.
The songs on Peach Pit’s Magpie have little idiosyncrasies. They are built around sophisticated chord progressions and unique vocal and guitar melodies.
St. Lenox’s new LP reveals there’s always time for new beginnings while working toward the greater goal of a worthy existence. It’s a sardonic masterpiece.
For Warhaus’ latest LP, Karaoke Moon, Belgian songwriter Maarten Devoldere (Balthazar) delved into his subconscious with some hypnotic assistance.
Ross Goldstein’s Blunders embraces the melody and inventiveness of the best pop music but is still unusual and daring enough to stand out.
Fred Thomas: “Attention spans are so short now. Records need a story to stand out from the rest. There is a deep intentionality in this record for me.”
Office Culture’s Charlie Kaplan takes a little from garage rock and folk rock, producing his most satisfying solo release to date. It genuinely mesmerizes.
Kishi Bashi’s Kantos blends philosophy, identity, and the human condition with genre-defying music and introspective lyrics.
JW Francis executes his ideas with precision and shows exceptional growth while maintaining a firm root in the DIY lo-fi spirit. SUNSHINE is yet another example.
On the occasion of Office Culture’s ambitious fourth album, Winston Cook-Wilson talks about collaboration, influences, and making dumb sounds on a synthesizer.