Warhaus Is the Music of Maarten Devoldere’s Subconscious
For Warhaus’ latest LP, Karaoke Moon, Belgian songwriter Maarten Devoldere (Balthazar) delved into his subconscious with some hypnotic assistance.
For Warhaus’ latest LP, Karaoke Moon, Belgian songwriter Maarten Devoldere (Balthazar) delved into his subconscious with some hypnotic assistance.
Ross Goldstein’s Blunders embraces the melody and inventiveness of the best pop music but is still unusual and daring enough to stand out.
Fred Thomas: “Attention spans are so short now. Records need a story to stand out from the rest. There is a deep intentionality in this record for me.”
Office Culture’s Charlie Kaplan takes a little from garage rock and folk rock, producing his most satisfying solo release to date. It genuinely mesmerizes.
Kishi Bashi’s Kantos blends philosophy, identity, and the human condition with genre-defying music and introspective lyrics.
JW Francis executes his ideas with precision and shows exceptional growth while maintaining a firm root in the DIY lo-fi spirit. SUNSHINE is yet another example.
On the occasion of Office Culture’s ambitious fourth album, Winston Cook-Wilson talks about collaboration, influences, and making dumb sounds on a synthesizer.
Soccer Mommy wrestles with profound loss on her new record, which is more organic and grander than anything she has released before.
Indie rock icon Fred Thomas’ new LP Window in the Rhythm is a career highlight, a riveting and moving meditation on the passage of time.
Producer and multi-instrumentalist Nate Mendelsohn’s (Market) latest songwriting project Well I Asked You a Question is wobbly, unstable, and catchy as hell.
Pale Waves ride nostalgia like they were old enough to have lived it. Whether their mimicry is incidental or purposeful, Smitten is another enjoyable record.
Citron Citron’s Maréeternelle is accessible avant-garde pop still edging toward highbrow. It highlights the ultramodern sounds coming from Geneva’s underground.