Orchestral Manoeuvres Help Lake Street Dive Reach Peak
Lake Street Dive’s origin story, which began in 2004, became a rich tale of team players contributing multiple music genres to a live-wire act that keeps soaring.
Lake Street Dive’s origin story, which began in 2004, became a rich tale of team players contributing multiple music genres to a live-wire act that keeps soaring.
A pandemic-era plan to soft-drop a series of EPs proved difficult, so New York’s digi-pop alternates +/- pivoted to a new LP that stands amongst their best.
That All Hell is another high-quality release is not the least bit surprising; it’s Los Campesinos!’s best record and likely one of the finest of the year.
By using a fleeting moment of attraction as its concept, Clairo’s ‘Charm’ surveys the damage love affairs, both long-lasting and short-lived, can inflict.
There’s enough strong material to keep longtime Of Montreal fans feeling connected while Kevin Barnes continues to indulge wherever their musical muse leads.
Brimming with cosmic musings and darkened Americana, My Light, My Destroyer earns Cassandra Jenkins a place among the best contemporary singer-songwriters.
It’s not easy to make a record that can soundtrack a barbecue and also provide balm for a dark night of the soul, but Rui Gabriel’s solo debut does just that.
The strong hooks on The Secret of Us provide the missing third dimension to Gracie Abrams’ songs and create a winning formula that could sustain more albums.
For two nights in Los Angeles, queer indie-pop trio MUNA put on a joyous homecoming concert ten years of dreaming in the making.
While Lake Street Dive trot out their funk and soul instrumentation on Good Together, the record has few genuinely fun or moving moments.
Now armed with a full band, Steve Dawson’s songs have more musical heft on Ghosts, resulting in one of his best and more streamlined solo works.
The Decemberists straddle between the exotic and quotidian, the real and imagined, to reveal that existence is most interesting when lived in a liminal state.