Indietronic Antiheroes +/- Still Attract Over Two Decades In
A pandemic-era plan to soft-drop a series of EPs proved difficult, so New York’s digi-pop alternates +/- pivoted to a new LP that stands amongst their best.
A pandemic-era plan to soft-drop a series of EPs proved difficult, so New York’s digi-pop alternates +/- pivoted to a new LP that stands amongst their best.
Young Fathers declare their awareness of what’s going on but take it a step further. Heavy Heavy urges the audience to do the heavy lifting and “have fun”.
On Junior Boys’ Waiting Game, the sounds are slowed down significantly, and we’re pulled into a far tighter space than in the past, reflecting our melancholy.
Sylvan Esso’s No Rules Sandy disavows much of electropop’s iconography, preferring to disrupt the well-trodden paths of radio-friendly bangers.
Hot Chip’s Freakout/Release is an extraordinary display of synthpop versatility and invention, born of collaboration, improvisation, and the psychological mess of lockdown.
ODESZA’s The Last Goodbye is impressively diverse and wide-ranging; there are moments of elysian pop, broody angst, thrilling dance, and smart wit.
A shift to focusing on world-sized problems pays huge creative dividends for Joywave on Cleanse, as they create their most moving work yet.
Trentemøller’s Memoria is intended to be listened to in the dark: total darkness, total immersion. Added visuals would just be sensory overload.
After an extended break and freak TikTok hit, the Wombats are back at their dance-rocking best on Fix Yourself, Not the World.
Absolutely Free are back with their first album in years, Aftertouch, and have fully embraced ’80s synthpop as their music template.
After a year of livestreaming and a personal setback, there’s no better time to appreciate the quietly underrated instrumental trilogy Brothertiger created amidst the pandemic.
Josh Rouse’s Isla release their latest single, “12 Bars”, a tune as gentle as a walk in the garden by the sea. It evokes feelings of careless love.