Warhaus Is the Music of Maarten Devoldere’s Subconscious
For Warhaus’ latest LP, Karaoke Moon, Belgian songwriter Maarten Devoldere (Balthazar) delved into his subconscious with some hypnotic assistance.
For Warhaus’ latest LP, Karaoke Moon, Belgian songwriter Maarten Devoldere (Balthazar) delved into his subconscious with some hypnotic assistance.
For Portuguese singer Carminho, fado is more than a genre of music; it’s a language through which she expresses her spiritual growth.
Denver’s A Place For Owls discuss their new album, their relationship to emo, and the dual forces of suffering and hope in life and creative work.
Fred Thomas: “Attention spans are so short now. Records need a story to stand out from the rest. There is a deep intentionality in this record for me.”
Surya Botofasina’s new LP is a reflection on the Ashram where he was raised, which was founded by jazz legend Alice Coltrane. It is an exhilarating journey.
On the occasion of Office Culture’s ambitious fourth album, Winston Cook-Wilson talks about collaboration, influences, and making dumb sounds on a synthesizer.
Lou Reed and John Cale met while touring a novelty act trying to make a hit on a discount record label. A new compilation highlights Reed’s wild pre-fame journey.
From the first song on Kelley Mickwee’s Everything Beautiful, you hear her expressive joy and feel her desire to create a cohesive and provocative piece of art.
Malian blues duo Amadou & Mariam just dropped a greatest hits album while noting how they’re intrigued by the sounds of Billie Eilish.
Drummer for post-hardcore legends Jawbox, Zach Barocas is living his best life creating jazz with friends in New Freedom Sound. He discusses his new music.
As a kid in landlocked Texas, Frank LoCrastro has wanted to make Exotica music. With Kolumbo’s sophomore LP, his dream of touring tiki bars is within reach.
Two decades out from their wild debut, Xiu Xiu’s Jamie Stewart and Angela Seo reflect on their fans, band-free music videos, and uncompromising new LP.