Sarah Jarosz Is Electrified By Her New Music
Polaroid Lovers, the seventh studio LP by Grammy-winning songwriter Sarah Jarosz, finds the songwriter capturing a new energy with her take on American music.
Polaroid Lovers, the seventh studio LP by Grammy-winning songwriter Sarah Jarosz, finds the songwriter capturing a new energy with her take on American music.
It’s been 25 years since her debut album made a big splash in the blues rock scene, and Susan Tedeschi’s fire is burning as bright as ever.
Savanah Leaf’s Earth Mama is part of an ongoing conversation about motherhood which must recognize systemic change and progress as incremental shifts.
Tying in his legacy to a new short film trilogy, legendary Public Enemy/Bomb Squad producer Hank Shocklee traces the line from his classic grooves to our modern sound.
Building on his 2021 debut, with newly released The Fatalist, Buffalo Nichols looks to be a 21st century Delta king cut from the tattered soul-cloth of Robert Johnson.
New York-based composer and multi-instrumentalist Matt DeMello talks about his new Abbey Road covers album, as well as his own idiosyncratic compositions.
William Oldroyd and Thomasin McKenzie discuss sympathising with a young woman caught between fantasy and reality in the adaptation of Ottessa Moshfegh’s Eileen.
Can love be determined by an algorithm? In our interview with director Christos Nikou, he scratches below the surface of his sci-fi romance, Fingernails.
Putting the pop in popular as a rising star before she was 20, Australian Vanessa Amorosi takes on a soul role with her eighth studio album premiering here.
From protesting Amazon’s labor practices to Spotify’s deplorable deals for artists, Speedy Ortiz does more with Rabbit Rabbit than bemoan the state of things.
Greg Dulli, iconic lead singer of the Afghan Whigs, discusses his other important indie rock group, the Twilight Singers, and their new career-spanning box set.
Director Fawzia Mirza and actress Nimra Bucha on their generational dramedy The Queen of my Dreams and what it means when the queen is not what she seems.