Phish Loaded Up on Guest Stars for ‘Hoist’ 30 Years Ago
Phish’s Hoist was their fifth LP and they were in the mood to try new things. Consequently, it felt like their version of a big commercial swing.
Phish’s Hoist was their fifth LP and they were in the mood to try new things. Consequently, it felt like their version of a big commercial swing.
Jam rock’s Phish at Las Vegas’ Sphere is like a sonic jackpot with all the bells and whistles that just keep paying out. It’s a wormhole to another dimension.
With its antiseptic sound, The Spectrum ’97 box set can’t adequately substitute for what it was like to be there at a 1990s Phish show.
In the second set, Gov’t Mule forgo their standard repertoire with what turns out to be a series of fan favorite cover tunes that celebrate their influences.
From Phil Lesh returning to home base to rising stars like Margo Price, the Fillmore remains the most hallowed hall in American rock ‘n’ roll.
The Gen-X rockers from Buffalo, New York, Moe, transcend recent tribulations with an old-fashioned Saturday night rager at the Fillmore in San Francisco.
It’s an Aquatic Soiree celebrating String Cheese Incident’s 30th anniversary, with each set representing a succeeding decade in their illustrious career.
Billy & the Kids don’t aim to reproduce Grateful Dead’s sound, with the players pushing the envelope in tone and attack to give the band a more modern sound.
Bob Weir premieres his symphony project that adds orchestral backing to Grateful Dead classics, making this show a special event.
Billy Strings’ career has soared due to his transcendent talent on the guitar. But he’s also got a down-to-earth demeanor as a sincere music fanatic.
Trombone Shorty and Jon Batiste bring the New Orleans Jazz & Heritage Fest to a rousing conclusion.
There’s a historic vibe in the air of going down the “Golden Road” to the origins of the Grateful Dead in Bobby Weir & Wolf Bros Trio’s show in San Francisco.