Berlinale Part 1: Bob Dylan, Trauma Drama, and Time-Shifting Romance
The 75th edition of Europe’s preeminent film festival, Berlinale, kicks off with politics center stage, an efficient new director, and more celebrities than ever before.
The 75th edition of Europe’s preeminent film festival, Berlinale, kicks off with politics center stage, an efficient new director, and more celebrities than ever before.
In wandering hero terms, Bob Dylan film A Complete Unknown is less a George Stevens’ Western like Shane and more an Akira Kurosawa’s Yojimbo – with guitars.
Indiana Jones and the Dial of Destiny should have taken a thoughtful approach to Harrison Ford’s aged hero, as James Mangold did in the superior Logan.
In Mangold's Logan, an elderly, sick surrogate father and a young, estranged, emotionally-scarred "daughter" come to rely entirely on the aged Wolverine who is now but a haunted, battered, suicidal husk. It's nothing like superhero films that came before.
James Mangold's The Wolverine taps into Western tropes and Samurai aesthetics to deliver a more thoughtful, soulful comic book film… until the climax.
In a competitive sea of superhero films, Logan continues to stand out with its tremendous performances, thematic complexity, remarkably critical take on violence, and deeply stirring pathos.