Featured: Top of Home Page/Features/Music David Sanborn May Not Be Cool — But He’s Sure Copied a Lot By Will Layman / 14 May 2013
Featured: Top of Home Page/Features/Music Ode to the Return of the Clarinet By Will Layman / 16 April 2013
Featured: Top of Home Page/Music/Performing Arts Wynton Marsalis’ ‘Blood on the Fields’, Still Genius By Will Layman / 27 March 2013
Books/Featured: Top of Home Page/Features/Music ‘Why Jazz Happened’ Makes Its Points Like a Snazzy Lawyer in the Courtroom: Zip, Zam, Zot By Will Layman / 20 February 2013
Featured: Top of Home Page/Features/Music Saxophonist Jon Irabagon Takes Us By Storm By Will Layman / 29 January 2013
Books/Featured: Top of Home Page/Features/Music Swing Guitarist John Pizzarelli Really Does Have the World on a String By Will Layman / 11 December 2012
Featured: Top of Home Page/Features/Music The Many Voices of Trumpeter and Composer Dave Douglas By Will Layman / 19 November 2012
Featured: Top of Home Page/Features/Music A Tale of Two (Too Unsung) Tenors — Saxophone Tenors, That Is By Will Layman / 23 October 2012
Featured: Top of Home Page/Features/Music Is Innovation Required in Jazz Today? By Will Layman / 25 September 2012
Featured: Top of Home Page/Features/Music Luciana Souza’s Multi-Directional Approach to Jazz Singing By Will Layman / 19 August 2012
Featured: Top of Home Page/Features/Music Three I’ve Ignored, Shame on Me: Elliot Sharp, Mike Reed & Joe McPhee By Will Layman / 15 July 2012
Featured: Top of Home Page/Features/Music Esperanza Spalding Stays the Jazz Course While Norah Jones Gets Indie By Will Layman / 15 May 2012
