The Smile Prioritize Grace and Restraint on ‘Wall of Eyes’
The Smile’s second record jettisons the post-punk energy of their debut in favor of a cohesive statement that’s glacially paced and texturally dense.
The Smile’s second record jettisons the post-punk energy of their debut in favor of a cohesive statement that’s glacially paced and texturally dense.
Israeli musician Dudu Tassa and Radiohead’s Jonny Greenwood join forces with various vocalists for a fresh, inspiring interpretation of Middle Eastern music.
For the Smile, Sons of Kemet’s Tom Skinner provides a deeper London jazz groove to lock into while the Radiohead side offer moody rock elements.
PopMatters takes a deep dive into Radiohead’s first musically important album, The Bends, where the group’s experimental inclinations initially took flight.
The Smile aren’t a full-on syncretism of Radiohead and Sons of Kemet, but A Light for Attracting Attention proves that it needn’t be.
These London jazz musicians are all relatively young and just as anxious to embrace all subgenres of jazz, soul, and funk as they are resistant to the rules of the old guard.
With The Bends Radiohead left an impressive music video legacy, one that would extend to later masterpieces such as OK Computer.
Catching the first two Radiohead shows in New York City practically makes attending the last two essential.
Jonny Greenwood's Oscar-nominated score for Paul Thomas Anderson's Phantom Thread is his strongest yet, and an integral character driving the tension of the film and its intense love story.