Julia Holter Goes Underwater to Find Room to Move
Julia Holter drips her semi-conscious thoughts on the musical canvas to access her artistic sensibility, but she seems a bit unsure of the process.
Julia Holter drips her semi-conscious thoughts on the musical canvas to access her artistic sensibility, but she seems a bit unsure of the process.
The music on Old Fire’s Voids is slow and unsettling, like folk music from a location devoid of hope.
Travel back five years ago when the release calendar was rife with stellar albums. 2015 offered such an embarrassment of musical riches, that we selected 80 albums as best of the year.
From forward-looking electronic and experimental to new approaches in the ever-evolving R&B scene, from hip-hop and punk to rock and pop, 2018 bestowed an embarrassment of musical riches upon us.
This is no scene or collective. These artists have reached their limit in all directions, back into traditions and forward into uncertain futures. 2018 presented challenges for all of us, and our artists presented challenges right back.
With her new record, Aviary, Julia Holter expands her scope to include elements of free improvisation, neo-classical leanings, and folk-induced hallucinations, thereby producing a substantial work of art.
As an artist who boldly blurs the line between avant-garde aesthetics and pop accessibility, Julia Holter's new album comes at us as a statement, and one that speaks to the power of her artistic journey.
How was a composer who makes music as celestial as Julia Holter's going to channel the energy of a boxing epic?