‘Sports Is Hell’ Narrows the Field to Identity Politics
Ben Passmore's Sports Is Hell is an apocalyptic parody of racism in US sports and politics.
Ben Passmore's Sports Is Hell is an apocalyptic parody of racism in US sports and politics.
Where gg's I'm Not Here found its force in ambiguity and the maybe-fantastical, Constantly is comparatively straightforward in its portrayal of the protagonist's sometimes literal battle with her own psyche.
Connor Willumsen keeps the narrative in his graphic fiction book, Bradley of Him, as lean and off-balance as his maybe-deranged main character.
Picking up where Chlorine Gardens left off, Keiler Roberts' graphic memoir, Rat Time, wanders artfully and unannounced into memories.
There's a lot of yarn for this cat to untangle in Emily Carroll's When I Arrived at the Castle.
While dimension-deforming environments are normal in cartoon worlds, few wander as far to the edge of pure abstraction—let alone cross it -- as Michael DeForge does in Brat.
Nathan Gelgud's image-within-an-image work in his latest, A House in the Jungle, echoes a larger world-within-a-world meta-context.
Mickey Zacchilli's scribbled artistic and literary style undermines expectations.
If Winter's Cosmos is Comeau's Alpha Centauri, I look forward to what fruits his new planets will bear next.
In gg's graphic memoir, I'm Not Here, we travel with the protagonist, suffering the same confusions that define her life.