luchino visconti

Luchino Visconti’s L’Innocente Lushly Escalates Emotional Intensity and Moral Quagmire

Luchino Visconti’s L’Innocente Lushly Escalates Emotional Intensity and Moral Quagmire

The wealthy, spoiled, entitled, monstrously egotistical male protagonist in Visconti's L'Innocente spends his time in various states of suffering, often sweating profusely and sometimes with eyes puffy and tear-stained.

The Terrifying Reciprocity of the Aesthetic Gaze in Visconti’s ‘Death in Venice’

The Terrifying Reciprocity of the Aesthetic Gaze in Visconti’s ‘Death in Venice’

Luchino Visconti’s oft-misunderstood Death in Venice tenderly explores how beauty stares back at us and demands that we accept and acknowledge its terrible contradictions.

The Crossroads of Reality and Melodrama in ‘Rocco and His Brothers’

The Other End of the Ideological Spectrum of Suffering in ‘La Terra Trema’

The Other End of the Ideological Spectrum of Suffering in ‘La Terra Trema’

Hardship takes up the bulk of La Terra Trema’s two-and-a-half-hour length and makes for unforgiving viewing. Visconti is brutal in his depiction of suffering.

A Legendary Performance In an Underrated Masterpiece: ‘Bellissima’

The 100 Essential Directors Part 9: Victor Sjöström to Luchino Visconti

Visconti’s ‘Ossessione’ Is Cain’s ‘The Postman Always Rings Twice’, Italian Style