Lucy Boyton

The Visual Aesthetic of ‘Don’t Knock Twice’, Like Its Moral Agenda, is Dark
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The Visual Aesthetic of ‘Don’t Knock Twice’, Like Its Moral Agenda, is Dark

By
 / 2 February 2017

Don’t Knock Twice delivers on two levels. Savor its clever annotations of feminist horror film theory. Or just enjoy the more visceral pleasures of fear.