Louise Erdrich’s ‘The Sentence’ Is a Ghost Story and Epitaph for the Covid Shutdown
Louise Erdrich’s The Sentence becomes a way to acknowledge the surrealism that has always pulsated just beneath the surface of American life.
Louise Erdrich’s The Sentence becomes a way to acknowledge the surrealism that has always pulsated just beneath the surface of American life.
There are seemingly infinite possibilities for how the ability to see into multiple lives might change a person; in Mr. Breakfast, Jonathan Carroll manages to avoid them all.
Ling Ma’s short story collection, Bliss Montage, brilliantly explores the absurdity and alienation of living under late-stage capitalism.
In a society of things, social responsibility requires a recognition of the influence of commodities upon our most foundational spiritual experiences. Nickelodeon's animated series, Rocko's Modern Life, puts it simply.
Wayétu Moore's She Would Be King is an important exploration of power, identity, and belonging at a major historical junction in African diasporic and Liberian history.
She Would Be King ranges from detailing the quotidian to historical transformation all the while relying on magical realism to create chimeric energy.
Seldom does a biopic about Vincent Van Gogh illustrate the depth of emotion many had for the artist.
Kelly Barnhill’s collection of stories, Dreadful Young Ladies and Other Stories, is entertainingly subversive and often questions normative culture.
This unusual rotoscope film captures Vincent van Gogh's art beautifully. But does it capture the mysterious van Gogh himself?
The short films in Akira Kurosawa’s Dreams wind like a trail through a wood, reminding us of our primal fascinations and fears of nature and the key part nature stories play in storytelling.