Slint are sounding even better as the long years go on and on. It's a testament to the source material that we're still revisiting, remixing, and re-releasing all these decades later.
Between the Grooves examines lowercase's Kill the Lights, a great marriage of slowcore and post-punk: raw, angry, sullen, and very much alive almost all these years later.
Everyone's favorite noise rock curmudgeon, Steve Albini sounds off as he prepares to release an eerie score to a horror film.
SAME's debut full-length, Plastic Western, flirts with everything from Pavement to post-rock.
Tautology I's six songs lack the musical sorcery of post-rockers usually mentioned in the same breath as El Ten Eleven.
Experimental rock's Horse Lords release their first album in four years, and it's meticulous and complex, but also undeniably joyous and celebratory.
Chicago XX is an absolute must for long-time fans and not a bad start for those curious about Cheer-Accident.
Parachute For Gordo's new LP, Best Understood By Children and Animals, diverges from the band's art-punk past. The result is an enthralling, throbbing, and incredibly percussion-driven document.
Revered experimental Japanese noise/punk/jazz band, OOIOO are back with a typically intense and brilliant new album, nijimusi.
Going from a trio to a duo doesn't affect Battles' dedication to chirpy synths and deep grooves on their latest, Juice B Crypts.
Like their namesake, Black Midi are a restless, unstoppable force that push their members and listeners to their limits in Schlagenheim.
Fans CHON's previous work—as well as instrumental rock in a broader sense—will surely find plenty to enjoy about Chon. Just don't expect anything especially diverse or daring along the way.
