Outsmarting the Auteur: Reassigning Power in Alfred Hitchcock’s ‘Marnie’
A contemporary viewing of Alfred Hitchcock’s 1964 film, Marnie, makes it clear: we must understand the inner workings of the male gaze and annihilate it.
A contemporary viewing of Alfred Hitchcock’s 1964 film, Marnie, makes it clear: we must understand the inner workings of the male gaze and annihilate it.
Donna Zuckerberg's Not All Dead White Men is a powerful study of the ways the alt-right distorts the understanding of ancient Greek and Roman literature to serve hateful interests today.
Red Sparrow isn't a great spy thriller, but it's a fascinating take on women fighting for control over their own bodies.
Has the "gay movement" failed? Not yet, suggests this historian's survey. But it urgently needs to reinvent itself.
The culture has shattered AlfredHitchcock's legacy into separate identities. We must view him as the brilliant, horrifying, innovative, monstrous composite he authentically was.
The first season of this icily horrific series is a crash course in the possibilities of a uniquely American 'It Could Happen Here' patriarchal Christian fascism.
The way Soderbergh knocks loose our grip on reality is paralyzing and unforgettable.
We need to talk about Ministry's anti-war statement, because it encapsulates so much that's so wrong about testosterone-driven masculinist activism.
Cinema's Russian doll of vacuous misogynist hyper-sexualised spectacle is a swing-and-a-miss.