Dog-Whistling Dixie and Racial Politics in 1960s Country Music
Trump’s recent co-option of Lee Greenwood and his song “God Bless the U.S.A.” isn’t the first time the far right has used country music for its purposes.
Trump’s recent co-option of Lee Greenwood and his song “God Bless the U.S.A.” isn’t the first time the far right has used country music for its purposes.
Patti Smith’s “Hey Joe” and “Piss Factory” expresses her unremitting fight for freedom: when she went from a factory girl to a poète maudit.
Sure, Glastonbury and Rock Werchter dazzle with pastoral grandeur, but if you’re more of a city-dweller, check out the best European music festivals this summer.
Unplanned and unprepared, when Alice in Chains recorded Jar of Flies‘ catchy songs on the fly, they created some of their career’s darkest yet warmest music of their career.
Riot Grrrl’s activism and grass-roots activity showed the movement was more concerned with breaking the rules and conventions than breaking through in punk.
CXLOE’s Shiny New Thing is hook-forward pop music, an unrelenting collection of emoto-bangers, and an arch response to a clueless music executive.
Wilco’s net-streaming experiment with Yankee Hotel Foxtrot was part of the utopian promise for technology’s future, and it worked.
Taylor Swift, BTS, and Stromae are at the frontlines of de-stigmatizing mental health challenges as something so relatable that they can make a hit song about it.
You can tell what bedevils a society by whom its members try to forcibly remove from the spotlight. In K-Pop, here’s who gets canceled and why.
The peculiar technology of the lo-fi, crappy cassette tape exemplifies the inherent contradictions of popular music better than any other medium.
We know how Elvis Presley’s story reflects on American history, its music and mythology, but how did America help to create Elvis?
As much as Madonna’s Celebration Tour is a meditation on her mortality, it is also a love letter to her core LGBTQIA+ audience whose loyalty has never wavered.