What Is the Goal of Andrea Warner’s ‘We Oughta Know’?
Andrea Warner purportedly wants to do right by popular Canadian women musicians in her book of revisionist album reviews, We Oughta Know.
music industry
K-Pop: Race in the Music Industry
Why do K-pop’s Asian pop stars get less recognition in the Land of the Free than non-Asian pop stars in the Land of the Morning Calm?
Ian Winwood’s ‘Bodies’ Laments Rock ‘n’ Roll’s Contractual Terms
In Bodies: Life and Death in Music, critic Ian Winwood chronicles the wreckage of a reckless industry and wonders if there is another way.
On Manager Alan Walden’s Rough and Tumble Music Memoir, ‘Southern Man’
Alan Walden’s Southern Man tells the lively tale of promoting music from the turbulent American South with Otis Redding and his brother Phil of Capricon Studios.
‘Run-Out Groove’ Shows the Dark Side of Capitol Records
Music promoter Dave Morrell's memoir, Run Out Groove, recalls the underbelly of the mainstream music industry.
Ted Templeman Biography Casts a Wide, Deep Net
Producer Ted Templeman and biographer Greg Renoff successfully capture a wide-ranging career in Ted Templeman: A Platinum Producer's Life in Music.
The Horror and the Humor in Liz Phair’s ‘Horror Stories’
In her music industry memoir, Horror Stories, Liz Phair has a knack for imbuing the ordinary with a weighty and relatable significance.
Chuck D on the Early Days of Sampling
In those early, free-wheeling days of hip-hop, the artists were waaaay ahead of the lawyers. Chuck D talks about sampling.
The Music Industry’s “1-2%” Death Knell
Articles hailing "the death of the music industry" are a dime a dozen, but recent stories about album sales, iTunes Radio, and radio audience shares -- when bundled together -- indicate that the big shift everyone has feared is actually genuinely happening.