
Alice Costelloe Confronts the Past with Elegant Art Pop
Alice Costelloe’s debut album is refined, elegant art pop, in which her crystalline voice floats over a rich palette of electronic instrumentation with grace.

Alice Costelloe’s debut album is refined, elegant art pop, in which her crystalline voice floats over a rich palette of electronic instrumentation with grace.

Erik Hall is an artist who understands minimalism and knows how to execute it brilliantly and uncompromisingly in a way that appeals to a broad range of listeners.

Skittering post-disco rhythms, slap-bass riffs, synth-lines, the ebbs and flows of sax, and declamatory soaring vocals make up the sound of post-punk’s Leisure Process.

John Medeski colors each Julian Lage composition to perfection. For all its ease of listening, this album isn’t comfort food as much as a really balanced meal.

The Journals is a testament to the lovely friendship of Justin Townes Earle and Sammy Brue, initiated and fostered by the music they both loved.

Kula Shaker’s Wormslayer is for the seeker, the adventurer, and the soul who longs for liberty—all while soundtracking their journey to an epic musical mirror.

M(h)aol’s Something Soft is a powerful feminist punk album. It highlights the stakes of inhabiting the female body in a world where safety is conditional and fleeting.

In 2026, Craig Taborn and other improvisers of his generation are at the peak of their creativity. This music has rarely been more elevated, refined, and exciting.

Ryan Gabos’ lo-fi bedroom pop project, Sotto Voce, scales new heights with The Sound of Trying.

On his third solo album, the 1970s-inspired How Did I Get Here?, Louis Tomlinson executes a clear creative vision, but relies heavily on his boy band roots.

British composer Isobel Waller-Bridge’s Objects is an ethereal, eerie treasure.

Sonetos del Amor Oscuro adapt seven Lorca works into six artful tracks that interpret not only the words but the spirit of his final works to poignant effect.