Peach Pit Prove Their Worth on ‘Magpie’
The songs on Peach Pit’s Magpie have little idiosyncrasies. They are built around sophisticated chord progressions and unique vocal and guitar melodies.
The songs on Peach Pit’s Magpie have little idiosyncrasies. They are built around sophisticated chord progressions and unique vocal and guitar melodies.
Annarella and Django’s Jouer is lush with thought, skill, and, yes, play, intangible elements that make this genre-defying album superb and satisfying.
The Chatuye archives offer a broader understanding of how Garifuna artists have sounded their identity in community with one another.
Michael Kiwanuka’s most striking quality remains his voice, which has the power to evoke deep feelings, as his idols did for another generation.
Experimental music is too often dismissed by many as cold and calculated. Passepartout Duo are here to tear down that myth with Argot.
Arlen Roth’s Playing Out the String is a blissful treat. The master guitarist delightfully picks and strums his way through well-known 20th-century songs.
Father John Misty has come as close to perfecting his artistry as anyone can. Mahashmashana is a masterpiece of exceptional songwriting and performance.
Mount Eerie’s new LP takes listeners on a slow journey through somber moods and reflective soundscapes, rich with poetry and imaginative storytelling.
Trees Speak’s attention to brevity alone on Timefold signals slightly less-chartered territory for music whose spaciousness seems so familiar.
This new compilation celebrates Ukrainian musicians’ abilities to find alternate modes of creating in the face of Soviet state restrictions.
Experimentalist Tashi Dorji sometimes sounds like a kid discovering their first couple of chords on a guitar and ultimately heading for the fire pit.
Opeth’s The Last Will and Testament is their most focused, disciplined piece of music to date and their heaviest work in more than 15 years.